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Joe is a disabled Irish writer and emerging-better-late-than-never visual artist living in the UK since the 1970s. While increasingly alienated and terrified by the toxic la-di-da of the capitalist mainstream, he finds that being reborn as an artist makes life worth living again.

Joe Mc visits the Damien Hirst room at Tate Britain

6 September 2010


'Mother and Child. Divided. London 1993' was the first piece of work I saw by Damien Hirst. You might recall it consisted of a cow and her calf dissected, then pickled in formaldehyde. I was revolted by it and hadn't a clue what it was about. A mate who came along with me to the exhibition said something along the lines that the artist was responding to all those who talked about an inner life. And that this 'opening up' was a way of saying 'look that's all there is inside'. About an hour later...

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