Warning: mysql_fetch_assoc() expects parameter 1 to be resource, boolean given in /var/sites/d/disabilityarts.org/public_html/includes/behaviours/comments_replies.php on line 123
Liz Crow's blog - disability arts online
This site now acts as an archive only. For the latest news, opinion, blogs and listings on disability arts and culture visit disabilityarts.online.

Disability Arts Online

Reflecting from the Bed / 8 March 2013

Roaring Girl Productions/Trish Wheatley

Bedding In at SPILL Festival of Performance

Zoom in to this image and read text description

My latest project is barrelling its way towards the start line. This week, the brilliant CoQuo, my production team have been at Salisbury Arts Centre putting the finishing touches to my Bedding Out installation that forms part of the People Like You exhibition showing work by Gini, Sue Austion and me, and which  launches tonight (8 March). At the beginning of April, I will be moving body and soul into the exhibition space for 48 hours, but more on that soon…

Bedding Out comes out of my performance at last autumn’s SPILL Festival of Performance in which I took to my bed in a gallery for three consecutive days in response to the current welfare benefits overhaul. It was one of eight DAO Diverse Perspectives commissions (thank you DAO!).

The work looks at the way I live a life in two very separate parts. There’s a public self that tries to be outgoing and happening and changing the world, and most people assume because that’s what they see of me, that’s how I am in the rest of my life. But then there’s the private self, which wins no friends or accolades, in which I spend most of my time at home, a lot of time lying down and quite a lot in bed.

This is the self that I have become very expert in concealing. And whilst that has kind of worked for the past 30 years, in the face of benefits changes, it no longer does. Instead, this new system demands that I reverse myself, parading the private me to justify support.

In the performance I take this private self and make it public, performing my bed-life. Since the public me is so carefully constructed, this is a kind of un-performing of my self. I want to make visible a twilight existence shared by thousands of us. But even more, I want to show that what so many people see as contradiction - what they call fraud - is just the complexity of real life.

As part of last autumn’s performance, members of the public gathered around my bed for Bedside Conversations, talking about the work, its backdrop, its politics. Reflections from the Bed is short audio-visual slideshow (with captions) that tells more about the work and why it feels so necessary.

Keywords: access issues,disability art,live art