Highlights of 2014: with thanks to DaisyFest, Together, Unlimited and DaDaFest / 10 January 2015
Firstly I’d like to wish a Happy New Year to all Dao’s readers and contributors. Last year we got out and about a fair bit, spreading the word about the disabled artists who engage with the disability arts sector through being a part of events, over and above the usual work we do of reporting on events and supporting artists through networking.
Firstly last June there was DaisyFest in Guildford, which featured two of Dao’s writers Penny Pepper and Allan Sutherland. Both Penny’s intimate Lost in Spaces - a poetic, musical journey through a personal history of the Disability Arts Movement and Allan’s extract from Neglected Voices: Proud were examples of the importance of persisting to assert the human rights element of our art form.
Later that month I gave a presentation of Dao's work at the Senseability conference organised by Tanvir Bush at Bath Spa University. It was a great pleasure to talk about some of the work we’ve featured over the last 10 years and explain something of Dao’s role to assist in facilitating networks and to support emerging disabled writers and artists through our blogs and our programme of commissioning writing on the arts and disability.
Last August Dao was invited to host another poetry event at Together! in Newham, where Wendy Tongue and Bonk Bipolar took to the stage with elements of the craft they’ve been developing through their respective blogs on Dao. There was further endorsement of their talent with invitations for further performances and workshops with the grassroots disability arts organisation.
On 3 September we ran Perceptions of Difference - a poetry event at the Saison Poetry Library in programmed to coincide with the Unlimited Festival at the Southbank Centre. Having had a longstanding connection with Survivors’ Poetry, it was a fantastic achievement for me personally to introduce four poets who’ve been cornerstones of the movement: Hilary Porter, John O’Donoghue, Debjani Chatterjee and Frank Bangay.
Head Librarian Chris McCabe said of the event: “It's very unusual to have an event of so few poets which can suggest so much about the possibilities of poetry.”
It has been an ongoing pleasure to be a named media partner for Unlimited. Dao was the seventh top referral to the Southbank Centre’s website during the festival from 2-7 September, not accounting for the drive we did through our social media and weekly bulletin.
As the Unlimited programme develops through 2015/ 16 we will see new and further embedded partnerships beginning to ensure the programmes’ influence grow beyond London showcasing disabled artists creating extraordinary work.
It was great to see many of the artists given a platform at DaDaFest who are also an Unlimited partner. Last December the festival featured one of the main commissions Owen Lowery with Otherwise Unchanged, plus several of the research and development projects: notably Jess Thoms aka Touretteshero with Backstage in Biscuit Land, Ailís Ní Ríain with her extraordinary cross art form Hieronymous Bosch-influenced The Drawing Rooms, and Kazzum Theatre’s promenade performance piece Where’s My Nana
DaDaFest was particularly memorable for the International Congress that was a major part of the programme, bringing disabled artists from across the globe, to coincide with the International Day of Disabled People.
A quote from mainstream freelance writer Bella Todd who we engaged last year to help us spread the word about Unlimited to the wider press sums up something of our aspiration to keep going in 2015:
“Many national, international and mainstream publications would envy the scale, quality and consistency of community engagement Disability Arts Online fosters on both its main website and through its social media channels.
Its writers, bloggers and readers (among whom there's an important degree of crossover) engage in an ongoing discourse that's at once supportive, argumentative, personal, politicised and teeming with individuality. That's no mean editorial feat. The quality and breadth of the debate will always make Dao pertinent and provocative reading for the wider world.
As a platform for giving a community a powerful, purposeful yet individuated voice, it's also a site to which more media outlets and organisations could do with paying attention.
We know we’ve got a fight to survive in the year ahead. We are under threat from measures designed by people in power who really basically don’t have a clue. Let’s come together and use Dao as platform to get our voices heard and to challenge top-down ignorance
Keywords: access,activism,bipolar,blogging,disability arts festival,disability arts online,disability pride,disability representation,disabled peoples movement,political,transcription poetry