Colin Hambrook asks will the Paralympic opening ceremony provide more of a laugh than Katherine Araniello's take on the 'Superhuman' ideal being proselytised by Channel 4?
The London 2012 Paralympics, which will be broadcast in over 100 countries, with a count down to the opening ceremony being broadcast on Channel 4 tonight. After months of top level secrecy I got an email earlier from an excited disabled performer saying "it's all tantrums & tiaras back-stage". I can just imagine! All those 'superhumans' in the background getting ready to flex some bicep.
Personally I find the whole malarky about how 'inspiring' we are - as disabled people - to be deeply offensive. It's as if it's suddenly okay to patronise us. And now of course that we can do everything and be everything, it's perfectly okay to do away with benefits and let us die.
Last April a Mirror.co.uk investigation by Penman and Sommerlad estimated "an average of 32 people are dying each week despite them being ruled not sick enough in the medical test for the new incapacity benefit." More recently undercover Dr Steven Bick reporting on Channel 4’s Dispatches claimed the Government has issued targets for 7 out of 8 to be reclassified as eligible for work. The Daily Mirror reported, earlier this summer that "Atos boss Thierry Breton received a bonus of nearly £1million to help slash the benefits bill." Another report in the Guardian yesterday said that "the government have outsourced more than £3bn of public services to the firm."
It seems we are in a state of rapid change. Perhaps the dream of the the Disability Movement to challenge the charity model of disability has been more successful than perhaps we might have wanted. We're no longer the worthy cause that demanded tick-box recognition. It's hard to predict what's around the corner, but it seems some disabled people are fighting back.
And perhaps some of the messages from the Unlimited commissions will get through. For example Simon Mckeown's 'Motion Disabled Unlimited' animation is a graceful take on the ordinariness of the impaired body. Claire Cunningham charts her lifelong relationship with her crutches and its impact on her love life in 'Ménage à Trois'. Kaite O'Reilly's 'In Water I'm Weightless' gives a textured portrayal of individuals relationship to their impairments.
However, performance can be interpreted in many different ways so whether or not the disability messages of challenging preconceptions about who and what is 'normal' get through, remains to be seen in how the press cover the events.
However entertaining a spectacle Jenny Sealey and Bradley Hemmings pull off for the opening ceremony tonight - in my mind nothing could beat Katherine Araniello's spoof on the Channel 4 Paralympics 'Superhuman' advert. Ready to do battle with fags and chocky cake, Katherine performs the amazing feat of balancing an imitation bar-bell on her finger, in the form of a cotton bud.
We can't match up to the aesthetics of the Paralympians however much we might try. Or kill ourselves trying...
The opening ceremony is being televised tonight on Channel 4 at 8pm
We've had an exciting time recently finishing off DAO’s New Voices project. Our 2012 group of New Voices writers have been fully engage with DAO. During the project, their blog entries, reviews and interviews have delivered lots of interaction from our readership.
Firstly, we are commissioning eight disabled artists to work with arts venues nationally to produce new works over the period of a year for online presentation on DAO, and we hope beyond. These commissions will offer a wide range of artistic engagements with key arts and cultural organisations across the country.
Secondly, DAO's writers, will be out in full force during the Cultural Olympiad to capture the debate and critique the events involving disabled artists and audiences. This includes the 29 Unlimited commissions which will be toured around the country from now until the end of August and will then be part of Southbank’s Unlimited Festival, part of the Festival of the World from 31 August to 9 September 2012.
Thirdly, to help everyone keep track of what is going on, DAO will also be launching a special DAO Guide to 2012 app which will provide a comprehensive listings service with links to artists, venues, events and festivals.
We will also be continuing to work with the Creative Case for Diversity so keep up with this website for dialogue, comment and debate.
DAO will also be getting a facelift! Through our recent reader survey, as well as through general communication with our readership over the past few years, it has been clear that using a side-menu navigation bar hasn't been as successful as we'd have liked in signposting our readers to the massive range, breadth and depth of copy published within the journal.
So to that effect we will be developing a top menu, with a focus on art form rather than content type. This means you’ll more easily find copy on the particular types of content that you are interested in reading about and discussing on our pages. So thank you to everyone who took part in feeding back comment, the good, the bad and the ugly, and please look out for more reader surveys in the future.
These improvements have been taking up a lot of time! And to help us deliver what we do to a higher standard we have taken on a freelance sub-editor, Marian Cleary, who is a welcome addition to DAOs small but committed part-time staff team.
This is a really exciting time for DAO and everyone involved in Disability Arts. There are so many disabled artists aiming for great things this year and DAO will be providing a platform for celebrating, examining and debating all that emerges from this.
So with that combined with our own new commissions, we are really looking forward to what promises to be fascinating times for everyone involved. And that includes you, the readers, artists, commentators, critics, bloggers, venues, programmers and all the people involved in creating the case for not just diversity but entertainment with attitude, debate and discussion, and taking forward what all that those presenting their ideas on DAO, in so many ways, have to say.