The first of these blog posts were written whilst filming 'Moving In', a couple of weeks ago on Sunday 18th July 2010.
I am currently on the train to Portsmouth. Despite being disabled I have managed to bring two rucksacks and two suitcases with me. Hence, I may well be hideously stressed by the end of the journey. I'm going to Portsmouth to direct a half hour film that my friend has written, about four students who discover life, love etc... and I think it'll be good.
Hopefully it will be better than good. But I have a feeling it'll be marred by the severe emotional pain that I've been feeling recently to do with some thing that happened 14 years ago. (Those of you who've seen 'Madness as a form of relaxation', will have an idea).
I'm trying not to think about what happened, but its been hard right now, especially when I can see that I need to use the experience to put the support in place, that I need. (I often ask myself 'What do I need to learn from this?) But I've had trouble arranging that support, mainly due to everybody else (well, nearly everyone) being so stupid.
So I've been distracting myself by various means including listening to Wayne Dyer's The Power of Intention, which I love listening to, especially the last chapter. I'm currently listening to Lady Gaga, which has a slightly different meaning. But it's much more fun.
So when I get to Portsmouth I'll be meeting a friend, and some of the actors who I'll be working with. We're going to do a promo shoot and then get together with cast and crew at a pub this evening. Tomorrow we're having a first read-though of the script, which I'm sure will throw up all sorts of comments and hopefully more 'jokes' or I should say, comedy.
As I'm directing for the next week, I've been thinking about the kind of director I want to be. In all my short films so far I've kind of done everything, (producer, writer, director). This shoot has been good as my friend has been producing it. I've been working with him on the script editing, and writing the shooting script (how to turn a 39 page document into a 44 page document – add camera directions!) So now its the week where real directing will happen.
I want to remain with the actors, work with them closely. But in all my films, I've been surprised how little 'directing' there's actually been. That's mainly because I've been very lucky with the actors I've got (may that continue). So, as it's a collaboration, we've come together. They have their own ideas and I have mine. During the audition process, if the ideas meet in some way, then that's who I want in my film. This happened in Early One Summer, where Graeme Dalling got the part because the look that he gave Charlie Ross, the teacher, was exactly the look I had in my head. And I wanted to work with him.
So I'll be blogging about “Moving In” and the progress through post production and beyond, as well as my current arts practice, and what projects I'm most excited about.