I thought I’d blog about how 2012 has gone for me. It’s sometimes confusing being a creative person, as the ‘personal’ and the ‘professional’ easily gets mixed up. My ideas, which are sometimes personal, become something I want to write about, then make work from.
Anyway, this is a run down of what I achieved this year, and there have been a lot of ‘firsts’ for me.
In January I ran a 7 week workshop at The Orpheus Centre, teaching filmmaking, and the group made a short puppet horror film using the Uscreen website. This was the first time that I’d run a workshop on my own, and there was a lot of support from all the guys at The Orpheus Centre.
In February I was in Manchester for The State Of The Arts Conference, after receiving a bursary to attend.
In March I completed The Dog & The Palace, my split screen installation film. This was the biggest budget film I have ever worked on, and in February we were filming for 2 days in Lancaster House, in the same room they shot ‘The King’s Speech’ feature film in. It was screened a number of times on the big screens during the London 2012 Olympics, and I was also featured in the local press. I also had a great team on board, thanks to Producer Karen Gilchrist.
Around June I completed an early draft of my third screenplay. I wanted to write a 1 hour drama-comedy for TV, and this was then redrafted and performed (as a work in progress) at the Arts Alive Festival in October. This was my first ever live event I produced.
During the year I also worked with writer / producer Cherry Bennet on ‘Temps Interruptus’, an indie radio sitcom which we recorded at Headline Music Studios in October (another first!) We also had a rehearsal of Cherry’s play ‘Early Viewing Recommended’ at The Actors Centre.
In May I worked with young homeless people in Crawley, on a 7 week filmmaking project, again using the Uscreen website.
In June I gave a talk about my own experience of Mental Health issues to a group of Surrey Police officers at Surrey Police HQ. I can never really underestimate what an achievement this was for me. I also got two articles on the Time To Change Mental Health website, and you can read about the talk I gave here.
I directed the 2nd episode of ‘Moving In’ in August, working with 10 actors and numerous crew on location on the 10 minute film, written and produced by Mark Lever.
During the Paralympics I was interviewed by BBC Three Counties Radio live on air, about the Paralympics and my work. I also went to the closing ceremony which was pretty amazing.
I supported a young filmmaker in Slough to make a short film with a Uscreen Ushoot bursary. All the films were premiered at Pinewood Studios.
I finished the year presenting a 2 day low budget filmmaking workshop which was part of The Together Festival. I was put up by the festival in the Ramada Docklands Hotel, and was a great experience to end the year on (apart from missing the closing night party)
During the year I’ve also continued to work at the Freewheelers Theatre Company, and work on my own projects, which included a short story as well as other TV ideas I’m writing.
I’ve also pushed my feature film comedy in a direction that I think I’ll be really happy with.
This doesn’t include the really personal stuff that I’ve been through this year. It really can be a massive interruption on all the stuff I want to do, although it does give me interesting stuff to write about, and this will be a big project for 2013, as I’ve just finished writing the outline for my autobiography, and I’ll be working on a TV screenplay about mental health.
I often do the ‘3 word plan’ for the year ahead. My 3 words for 2013 are ‘Writing’, ‘Personal’, and ‘Stages’. I’ll blog more about what these mean in another post soon.
In 2013 I’m looking forward to doing much more writing, and looking at the next stage of feature film production. I’m also looking to work as a writer with other organisations, and am especially interested in community projects which culminate in a live performance.
Probably the most interesting session for me was the first session about the audience. It certainly presented a different way of thinking. The main speakers were Alastair Spalding from Sadlers Wells and Helen Marriage from Artichoke, who produced the Sultan’s Elephant outdoor spectacle as well as The ‘Spider’ in Liverpool in 2008.
Alastair was interesting in that he started by talking about the iPhone, saying that no one could really imagine 10 years ago that there would be a phone like that.
Alastair focussed on William Forsythe, choreographer. He showed two clips of work taken 25 years apart. He spoke about taking radical steps, which is key, and challenging perceptions of contemporary performance.
Keeping audience actively informed is a challenge, but a must for his theatre. There were also some interesting thoughts about audience:
- Audiences generally have no complaints about complexity.
- They are still drawn to narrative – no matter how complex.
- But they are also happy when there’s no narrative.
- They also respond to intellectual versuosity – exploring the nature of performance.
As audience become increasingly multi-national they are drawn to work that reflects diversity.
He did mention reviews – and how to respond to negative ones – put on more of the same work. He presented a ‘Forsythe Season’, and the audience became more informed, and the work became more validated.
Helen spoke about her work – large scale outdoor pieces. As a producer she knows that lives can be better from seeing art, and it’s her job to imagine the impossible and make it happen.
The greatest communication tools for Helen were secrecy, timing and surprise. This was interesting for me - and if you have the support of a venue like Sadlers Wells that will put on your work every year then great. But what of those artists struggling to find such a venue and / or producers?
The session certainly raised questions for me. I’ve now made eight films. What do people expect from me next? Do my 800 + twitter followers really care about what I do next?
How many of them would buy a DVD of my films if I released one? (800 x £15.99 = £12,792). That’s quite a lot.
So again, it goes back to the audience. For me as a filmmaker, that’s simple and something I’ve been thinking about for a long time, and as an artist, it actually hasn’t changed my thinking. I think essentially we simply want people to turn up and see the work.
Though for my next steps, it may be more to do with my writing than anything I’m currently doing at the moment. But with the element of surprise in mind, that’s all I’m saying at the moment.